clint eastwood

*contains spoilers Upon that fateful return to my home town a few years after moving interstate and quitting my first job… I resumed work as a journalist in that snake pit of a newsroom after failing again to produce a novel worth publishing and instead tossed off something worthless… And then shortly afterwards the poetess…

Read more The Evolution and Revolution of Love and Clint Eastwood’s Breezy (1973) Part Two

*contains spoilers This is a semi-autobiographical article about losing your virginity through an act of adultery, the concept of love in the Clint Eastwood movie Breezy (1973) and my nerdy brush with Clint himself many years ago after growing up admiring him as a two-fisted role model of masculinity to an apparently clean-cut kid… It…

Read more The Evolution and Revolution of Love and Clint Eastwood’s Breezy (1973) Part One

*contains spoilers The character Inger plays in The Farmer’s Daughter is a naïve but attractive Swedish governess who wins over Washington, DC and when it initially premiered in September 1963, it was an instant success. Her hair was also a conservative light brown and styled. The show proved that Inger was a gifted light comedienne…

Read more The Cult of Actress Inger Stevens in Run, Simon, Run (1970) Part Two

*contains spoilers Bipolar and bisexual actor Jack Cassidy (1927-76 burned to death) was the father of pop star David Cassidy (1950-2017 liver failure) and he seemed to be on the verge of something big in terms of his character acting career just before he died in an inferno in his West Hollywood penthouse apartment sparked…

Read more The Cult of Actor Jack Cassidy in The Phantom of Hollywood (1974)

*contains spoilers Penny finds Steiner’s office ransacked and the killer attempts to strangle her but she uses a blunt instrument and escapes him/her/neither. Here the music, or lack of it, drives the tension. Is a life without music/sex worth living? This element seems built in to the tension of the sequence. Of course, after another…

Read more Craig Lahiff’s Aussie Hitchcockian Double Bill (Part Two)